Oz es un hábil técnico en electrónica que se dedica a reparar arcades, y que prefiere perderse entre circuitos y pantallas en el taller que trabaja, a tener que conectar con otros seres de la especie humana. Sabiendo que el taller va a cerrar pronto porque “los tiempos cambian y ya nadie busca las maquinitas”, Oz decide aventarse unos tarros en un bar, y es abordado por una joven atractiva llamada Tess que también es fanática de los videojuegos vintage, empezando un noviazgo que no solo amenaza con causarnos diabetis, sino que desafía las leyes de la lógica y la realidad.
Esa misma noche, Oz encuentra una motherboard extraña y picado por la curiosidad, decide conectarla a una maquina que estaba reparando. Esto hace que aparezca un extraño juego retro medio hipnótico en pantalla, que a su vez hace que Oz empiece a tener extrañas alucinaciones que podrían o no estar prediciendo su futuro y su perdición, mientras que un misterioso hombre indigente entra y sale del taller como si fuera su deber asegurarse que la entidad del otro lado de las imágenes del videojuego encuentren la forma de hacernos una visita.
Recently played at the Fantasia International Film Festival, we had the chance to see “Tilt”, a film that brings us the story of Joseph Burns, a unemployed documentary director that once enjoyed a modest success with his first documentary, and have been trying to complete his next project ever since, getting constantly distracted by one thing or another. His wife Joanne, who has been supporting him through all this time (both morally and economically) makes him realize that now that there is a baby on the way, it might just be the time to come back to the regular workforce and put the documentary on hold.
Joseph’s mental crusade about destroying the myth of “The Golden Age in the U.S.” thru his documentary, turns into a complicated obsession when he sees than nobody seems to be even remotely interested in the theme of his project, even when someone like Donald Trump starts to place himself on the television as a candidate for the U.S. presidency, using the same myth (according to Joseph) to turn the masses to support him and his purposes…
As days goes by, Joseph tries without success to show enthusiasm for his future as a parent, and the idea of finding a stable source of income. What we see however, is that maybe as a form of retaliation for being forced into responsibilities he was not fond of, he starts to set a series of accidents where Joan gets hurt. Also with the excuse of needing to clear his thoughts for the documentary, Joseph starts to walk around the neighborhood late at nights, but in reality he is just stalking people from different social status, maybe looking for someone to unleash his anger with… or to continue something sinister that was already there and now he has decided to hide no longer…
Like any other fan of horror, I can enjoy a good story told in the Body horror sub-genre, and I was glad to see that “Replace”, the new film that we watched via the Fantasia Film Festival, not only has the right amount of gore and blood for the peeps, but also brings a very interesting thriller for the general public.
In this film we meet Kira, a lady that after a romantic date starts to experience blackouts, amnesia and disorientation, and while we could say “Hey, that’s what happens when you fall in love!” that would not explain why her skin is deteriorating at an accelerated rate, to the point that is actually breaking and falling apart.
Como cualquier otro fan del horror, puedo apreciar una buena historia situada en el subgénero del “Body Horror”, y me dio gusto ver que “Replace”, el nuevo filme que acabamos de ver vía Fantasia Film Festival, no solo tiene la dosis adecuada de gore y sangre para fans del nicho, sino que también presenta un thriller bastante ameno para el publico general.
En este filme conocemos a Kira, una joven que después de una cita amorosa empieza a sufrir episodios de pérdida del conocimiento, amnesia y desorientación, y mientras que podemos alegar que esto es normal cuando uno se enamora, eso no explicaría porque su piel esta mostrando un deterioro extremadamente acelerado, al punto de cuartearse y desprenderse.
Screened recently at the Fantasia Film Festival, we saw the new film from Jian Liu “Have a Nice Day” (Hao ji le) where the saying “You never know who you work for” fits like a glove in this old school-style animated film. Using the neo-noir genre, this film brings us a story of cynicism, irony and black humor with the reminder that behind any smile and compliment, there always can be an immoral, ruthless person ready to screw you over if the price is right.
In an very ordinary day, Xiao Zhang, a low level driver that works for an small criminal in a nameles city of China, decides to steal the money from a recent job, as you might guess, his boss “Uncle Liu” decides to send “Skinny”, his most effective assassin (a Rocky fan, to boot) not only to find the money, but also to use Xiao as an example to dissuade other employees from having any more bright ideas.
Presentado hace unos días en el Fantasia Film Festival, nos llega el nuevo filme de Jian Liu “Have a Nice Day” (Hao ji le) donde el conocido refrán, “Nadie sabe para quien trabaja” parece quedar mejor que anillo al dedo en una historia animada al estilo de la vieja escuela. Tomando el genero Noir, este filme nos presenta una historia de cinismo, ironía y humor negro con la lección de que detrás de sonrisas y halagos siempre puede haber un ser inmoral y despiadado si le llegan al precio te va a joder la existencia.
En un día como cualquiera, Xiao Zhang, un simple conductor para un criminal de China, decide robarse el botín de una operación, como se han de imaginar, su jefe “Tío Liu” manda a “Skinny”uno de sus matones mas efectivos (Y fanático de Rocky, al parecer) no solo para recuperar el dinero, si no de paso para usar a Xiao como una lección para persuadir a otros empleados a portarse bien antes de que empiecen a tener brillantes ideas.
Arriving from South Korea, via our friends at Fantasia Fest, we had the chance to see “The Wailing” (“Goksung” the original title) the third feature film from director Hong-jin Na (“The Chaser”, “The Yellow sea”). This film has been know for its long running time and for nicely presenting in its plot a clash between different religious/spiritual traditions, however, the thing that has been most talked about in the audiences and internet forums is the ending. Is it really that buzz worthy?
Let’s start with the plot: When a series of bizarre murders start occurring in a little village called Goksung, the policeman Jong-Goo, starts hearing weird rumors about a Japanese man that recently moved into a shack in the forest, and how he could be the cause of the incidents. Partly due his ineptitude and also disinterest in his work, Jong-Goo dismisses the rumors and rather go with the explanation given by the doctors that the strange behavior of the people in the village (and the murders) were caused by the ingestion of some bad hallucinogenic mushrooms.
Imagine that you were told that there is a film whose true origin is unknown, and that every time it is screened, it makes the audience to loose control and turn to violence, leaving people seriously injured, or even dead when the short film has ended. If that wasn’t strange enough, it is also said that every time the film has been shown, it disappears from the projection room without a trace, only to reappear decades later and cause chaos again among those who see it .
Thanks to Fantasia Fest, we had the chance to see “La Rage du Démon” (“Fury Of The Demon”)
an interesting french documentary about a silent short film from the early years of cinema, (the titular «La Rage du Démon») and its controversial history. The documentary tries to explain the possible origins of this short film believed lost forever and even considered a myth by some people, that was actually found and exhibited in Paris in 2012 by Aaron Edgar Wallace, a serious collector of films, and also tries to explain the violent events that happened in the screening, narrated by some of the people who had the opportunity to attend.
I think is safe to say that most of us have all had that awkward moment when we wake up after a night of partying with alcohol and other toxic substances without any recollection of the last 8-10 hours or even how we got to wherever place we woke up, but very few of us end up with long-term consequences or a 9-months-installments contract. In this film that is doing its runs in Fantasia Film Fest called » Antibirth » we meet Lou, a girl that really likes to party hard, never met a drug she didn’t like, and sees her life change dramatically overnight when she discovers that she might be carrying an unexpected passenger in her womb.
Before you get scared and decide to skip this movie just because you believe it will be a (more) bizarre version of “Juno” or that the film will be pushing a “Pro Choice VS Pro Life” message, I will point out that “Antibirth” is way more than that (Actually, is none of that… but I think you know what I mean). The film is actually a weird ass trippy suspense flick, where Lou (portrayed by Natasha Lyonne, of “American Pie” and TV’s “Night Visions” fame ) will not be debating about who the father of the child might be (We will leave that for some Bridget Jones lady), but instead will be wondering how in the hell she got pregnant when she had not done the horizontal mambo in months… .